Zezão: Endless Draft Solo Exhibition

Anno Domini // the second coming of Art & Design is proud to present...

Endless Draft
Zezão (São Paulo, Brazil) Solo Exhibition

The exhibition Endless Draft presents a collection of works that emerge from a state in which the notion of completion becomes imprecise. It is not an unfinished work, but an open work. A work that seems to have no end. The drawing remains active, even when the work is already suspended on the wall. The moment when a work is said to be "finished" happens more as a gesture of surrender than as a definitive conclusion a conscious pause in something that could continue. This decision is intimate, silent, and does not need to be perceived by the viewer.

Today, these layers cease to be merely physical and begin to exist as mental structures, as systems of thought, as logic. The subterranean becomes internal.

At this point in my practice, the work increasingly approaches drawing as a central language. More than the support be it canvas, cardboard, or found frames the focus is on the line as a code. The materials are necessary as a field of inscription, but what truly structures the work are the signs: graphic symbols that operate as open systems, capable of being continued, rewritten, and retranscribed.

These drawings function as expanding visual codes. They do not represent specific places or closed narratives. They suggest mental states, flows of thought, a creative mind in constant motion. They are forms that do not seek an end, but the possibility of continuity. Each line carries the idea that another line could still exist.

This series reflects a moment in which the process merges with the work itself. A time when creating does not mean concluding, but sustaining an open field of possibilities. What is seen is only a momentary interruption of the gesture. Drawing remains active like a living, infinite language, in a permanent state of construction.

Curator’s Note:
Brazilian artist Zezão emerged from São Paulo’s 1990s graffiti scene and became a pioneer of abstract street art by way of his  signature blue “VÍCIO” forms down in the underbelly of the city’s sewers. At the time he felt more connected to the underworld and the solitude it provided. 

Over the last thirty years his work has expanded from pixação, to street art, evolving to an ecologically and humanitarian driven activism with his site specific murals around polluted waterways, in the favelas and eventually into galleries and museums world wide. His work continues to move fluidly between street and gallery, bringing the ephemeral and unconventional urban surfaces with him to serve as a memento of his work on the streets where beauty and chaos are always present in contemporary urban life.

Endless Draft is Zezão's second exhibition with Anno Domini.

~Anno Domini